Christiane Vleugels


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Big Boss @ St. Tropez

The Big Boss has left Belgium for a show off (holiday)trip to Grimaud, Saint-Tropez. He will participate in an exhibition that is dedicated to Animals. As a leader of the Jungle and movie star he wont disappoint @ exhibition that takes place in the town where many movie stars go on there holidays. If you […]

‘The visual fine arts of drawing, painting and sculpture are best understood

first last and always as a language

a visual language’

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‘It was developed and preserved first and foremost as a means of communication very much like spoken and written languages.’

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about me

The Artist, Christiane Vleugels

 

Her work can be characterized as realism, but if you look closer then you realize that there is much more. Not only a lot of love for the subject, but also the feel of an ethereal atmosphere that exudes dramatic beauty and glamour.

Christiane began painting at the age of 12 years and became a professional painter at the age of 17. After completing 2 years at the Royal Academy of Antwerp, she moved to Germany where she had several exhibitions.  After that her art has evolved in time from romantic portraits to a more playful approach with new painting techniques and experiments with inverted colors.

Some work went abroad including Egypt and UK. Back in Belgium, many years followed with commissioned work including numerous reproductions. That explains her extreme skills nowadays, where she creates stunning art right from the heart. Although she still sees portraits as her main subject, she tries to captivate her audience more and more with exuberant colours and expressions. Her latest works and exhibitions are becoming more thematic. Her eagerness to surprise the public results in a never ending search for new horizons.

Constantly experimenting with new ideas and inspirations, she presents more and more surprising elements in her art.

And like language it is successful if communication takes place and it is unsuccessful if it does not.

‘So long as most of humanity is permitted to compare and decide for themselves what constitutes great art, and with poetry, truth and beauty as guiding lights, a full rebirth of the universal language of traditional contemporary realism is assured.’

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